[imitation thee sincerest form of flattery]

M E M

666

if it (the video) don't show click the linky to mysteria electronica maxima

so aleister crowley can speak directly to you.

thee colour of avocado

please, bring me my wine

if it (the video) don't show click the linky to mysteria electronica maxima

don't miss thee completed trilogy of
imitation the sincerest form of flattery222

sweet oblivion

afterthought

afterthought, oils on canvas 2009, 76 x 76 cm

from the interzone

mem@wiki

HIEROPHANT of Rock N' Roll

Man of Flowers

Mouth of a River

Great Unknown

AMORCARITAS

23 TRUCKLE

Book of Dreams

From the "Book of Dreams" [1987]

(poet 2o smtn yrs ld)

Interest in perception

Matter and Means of
Attaining all we believe or
Know of reality

What is perceived on a
Day to day basis is a routine
Of familiar sights, sounds, movements
And reaction to such stimuli

Outside the given realm
Of what is believed
Is a sent of what is 

Beyond humble furnishings

Of known certainties there is a
Border to what is alien to
Understanding as we have
Come to know understanding

Our world is made of elements
Mundane and Living 
The simple difference of life
And not living 

Becomes increasingly apparent

As experience fills the senses

And all points of life are interconnected 

Within this unique gift of living

Kittery Point, Maine

sea point beach, kittery point, Maine

noplace to be in the world

nn

never even read the fkn book...

a self portrait in my kitchen by the sink without even trying tonight

[circa 1997]

[1999] NU

AT the beginning the world was a waste of water called Nu. and it was the abode of the Great Father. He was Nu, for he was the deep, and he gave being unto the sun god who hath said: "Lo! I am Khepera at dawn, Ra at high noon, and Tum at eventide". The god of brightness first appeared as a shining egg which floated upon the water's breast, and the spirits of the deep, who were the Fathers and the Mothers, were with him there, as he was with Nu, for they were the companions of Nu.

then

east west wolf [1999]

in process [1998]

Sacrificium

Sacrificium (offerings to dreams for post-industrial designs) 2000

The Invisible Instillation Series

1997 - 2001

These Constructivist and allegorical works adapted and explored themes of Egyptian Creationism and Mythology, the Pagan/Christian Mythology of the Annunciation, Crucifixion, Resurrection (unfortunately destroyed and un-photographed), and the Greek Tragedy of Oedipus Invert.

Works from industrial debris were constructed of wire, metal and electrical conduit, a deconstructed 1971 Cadillac Limousine, latex molds, wax, polyurethane, ceiling tile, chicken wire, home appliances (deconstructed refrigerator, misc. appliances, etc.), rail road artifacts, gravel, paint, lead paint, lead, unknown objects, misc. objects, tar, tar and aluminum, paper, particle board, orange peelings, sticks and stems, fluids, other fluids, clothing, rubber molds, rubber tubing, molded plastic, industrial molds, misc. plastic, plastic sheets, plastic flowers, plastic masks (clown, devil, and wolf), rolodex, time-clock, large intercom speaker box, holographic images, mylar, etc.

 

 

 

danger mostly to self and others (2001)

twinstars

evolution of twinstars (early autumn sunrise) oils and canvas 2003